I’m back home after 50 days travelling in Malta, Italy, Switzerland and England. There’s so much to process, I think I could probably write a book, but for now I’ll let someone else do the writing. My cantata ‘Winter Nights’ was performed at the University of Kent in Canterbury. Conductor Dan Harding just posted his blog about the experience, so I will re-post his prose and pictures here for you to enjoy.
Pax Christi Chorale, a 100 plus voice Toronto choir, scored another impressive triumph yesterday with the world premiere of Stephanie Martin’s new oratorio “The Sun, the Wind, and the Man with the Cloak”. David Bowser, Stephanie’s successor as Artistic Director of PCC, gave us fine readings of English repertoire (Britten, Elgar, Vaughan Williams) before the intermission. The new choral work is a charming retelling of the famous Aesop fable about the sun and the wind arguing who is the more powerful. Stephanie Martin’s highly effective score was enhanced in no small measure by playwright Paul Ciufo’s delightful libretto. This is… Read More »Howard Dyck’s review: ‘The Sun, the Wind, and the Man with the Cloak’
Wrapping up my final year with Pax Christi Chorale is a profound, bitter-sweet pleasure. Things will get rolling on the first weekend of November with Mendelssohn’s dramatic oratorio Elijah. I have adored this piece since I learned it in 1977, at 15 years of age, one of the younger singers in Waterloo region’s Mennonite Mass Choir, conducted by my Dad. I really could not believe that as a choral singer, you could throw yourself into the role of a Baal worshipper, and sing really nasty things. It was delightfully naughty and the big sound of about 230 voices with full… Read More »Elijah and bicycles?
I got the Wanderlust early on when my parents planned a three-month trip to Europe with four children aged 7-14 in tow. My late husband and I made travel a priority in our lives, and we often found interesting ways to fashion extended trips around organ recitals, visits with friends, choir tours, or musical exchanges. All of this was marvelous of course, but one thing in preparing for a long trip drove me around the bend. Whereas I would be fussing about and organizing my suitcase several weeks before the trip, Bruce would calmly leave his packing until the night… Read More »Packing
Rehearsals are underway for the first performance of my choral symphony at Wilfrid Laurier University in Waterloo. I am saddened to hear that some students are boycotting my work since they consider it “blasphemous.” I believe a Canadian university must be a safe place to discuss controversial topics and respect differences – a haven for critical thinking, experiment and inquiry – and I hope every student pouring their hard work and musicianship into this project can feel safe and proud performing my piece. I post this open letter not to judge, but to invite reflection and reconciliation. Dear Students, Love… Read More »An open letter to students boycotting my work
Pax Christi Chorale is putting the finishing touches on our Spring concert “Passion and Peace” coming up on April 26 in Kitchener and April 27 in Toronto. We’re performing Jean Langlais’ Missa Salve Regina, Faure’s Messe Basse and Randall Thompson’s Peaceable KIngdom. Here’s a short interview with Susan Mahoney about the repertoire. Q – All of the music in this concert was composed in the 20th century. Why did you want to move away from the Bach-Mozart-Handel canon? There’s room on the dance floor for everyone. Not every choir will take musical chances like Pax Christi does. That’s why… Read More »Passion and Peace: Q and A with Susan Mahoney
After Pax Christi Chorale’s mammoth performances of Handel’s SOLOMON, final juries and exams at York University, I thought I needed a little break. I stepped back from the routine of rehearsal, teaching, writing and performing to recharge my musical batteries. I spent four days with the Elgar Society, North American branch, at our annual conference in New Haven, Connecticut. That might seem like a potentially somber gathering, but it was an absolutely fabulous event. One of the best things about attending a musical conference is that you get to meet a whole lot of great people from far flung places… Read More »Edwardian Opulence
Why on earth have we not sung Josef Rheinberger’s Christmas cantata before? Read Wholenote Magazine and you will stand in thankful awe of the zillion performances of Handel’s Messiah in Toronto; yet I mourn the 50 odd Christmases that have passed without any knowledge of Rheinberger’s wonderful work, “The Star of Bethlehem.” Pax Christi Chorale is polishing up our performances of this piece for next weekend at Grace Church on-the-Hill, and the more we sing it, the more we appreciate this masterwork of high romantic art: a work that paints the intimacy of the nativity, romanticized pastoral scenes, and the grandeur… Read More »The Rheinberger affair